Crashes and AU non-validations are to be expected in a x.0 release, but it all seems within reason, not endemic nothing seems fundamentally amiss, other than human beings using a program created by other human beings. We must incline our ears to what the users are NOT saying. As hellleutel also experienced, my foray into VE 2 was nightmarish.īut my confidence is emerging.
I'm trying to curb my enthusiasm because I haven't fully verified how well it works. Once we open to IAC ports, 128 possible instruments vaults into thousands.Īnd "instruments" here is a bit of a misnomer, as one Vienna slot can hold and access any number of actual orchestral instruments with keyswitching, etc. The only rub is, limited to eight instances, the user may have to lump some instruments together in one VE instance in groups like "Winds" and "Brass." That would mean scrolling a bit, past the flutes and oboes, for example, to find the clarinet you're playing in the VE edit window. (Yeah, I've never wanted to go there either.) If eight instances of VE x 16 (128 discrete instruments) is enough for you, there'd be no need for IAC. I know the outputs for each instrument within one VE offers NET 1/ NET 2 in sixteen pairs though NET 31 / NET 32.Ĥ. I mix in MIDI and output to a simple stereo.
The OSX app "Spaces" is also helpful, as you'll see all the windows open in VE, and you can click on any one of them to bring it front and center.ģ. You'll see eight instances in a list, and you double click on them to bring up the window. VE 3 Pro has one server window by which you access the eight instances.
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